Reactions to the Springer Survey in Ancient Egypt and Meena's Tomb
As I delved into the article, I was truly captivated by the stunning images of the tomb and the incredible precision that characterized the artwork within the tomb of Meena. The extensive historical depictions made me reflect on their significance. Are these intricate illustrations a testament to his esteemed position, showcasing his role as a political leader? Or do they serve to highlight his major contributions to Egypt during that remarkable era? I wonder, do the detailed drawings represent his administrative role, or do they instead illustrate the level of accuracy in measurements achieved during that time?
My second question concerns the historical use of the forearm as a standard unit of measurement during that period. What specific criteria were employed to apply this measurement, considering that individual forearm dimensions can vary significantly? I am curious about how this variation was addressed and standardized for consistency in measurement practices.
Finally, what surprised me most was the remen as highlighted in the Springer article: “A remarkable additional unit was the remen, defined as half the diameter of a square with sides of one royal cubit in length. The length of this diameter is cubits, which cannot be written as the sum of reciprocal fractions (such as), the notation system used in Ancient Egypt, but only as an unending decimal fraction (like). A remen would be about 371 mm (14.6 in.) or, by coincidence, almost exactly 19.5 fingers. The advantage of the remen was that it allowed areas of land to be halved or doubled while preserving the proportions simply by changing the unit. A square with sides of a cubit, for instance, has twice the area of a square with sides of a remen and half the area of a square with sides of two remen (a ‘double‐remen’). To calculate the area of a circle, π (pi) was approximated as (2 × (1 − 1/9))² = 16 2/9² = 256/81, which equals approximately 3.16049... (whereas the correct value of π = 3.14159...).”
I was profoundly struck by the remarkable level of precision achieved and its astonishing proximity to the true value of π (pi). This observation underscores the notion that mathematics is not merely a contemporary construct, but rather a timeless discipline that has been woven into the fabric of human understanding for centuries.
You connected the artwork, measurement systems, and the surprising precision of π in a very thoughtful way. I wonder how reflecting on these practices might change how we view the relationship between mathematics, culture, and power in ancient societies.
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